The purpose of this workshop is to introduce new findings on two important music theories from ancient China and Greece. It focuses on the monochord as a scientific apparatus that aided the development of theories attributed to Guanzi in the seventh century BCE and Pythagoras in the sixth century BCE. These techniques were both musically intuitive and mathematically sound for creating chromatic scales.
Trumpeter, multi-instrumentalist, composer, and improviser Wadada Leo Smith is one of the most boldly original and influential artists of his time. Transcending the bounds of genre or idiom, he distinctly defines his music, tirelessly inventive in both sound and approach, as "Creative Music."
For the last five decades, Smith has been a member of the legendary AACM collective, pivotal in its wide-open perspectives on music and art in general. He has carried those all-embracing concepts into his own work, expanding upon them in myriad ways.
The Bunche Center was established as an Organized Research Unit (ORU), with the mission to develop and strengthen African American Studies through five primary organizational branches: research, academic programs, library and media center, special projects, and publications.
The UCLA Latin American Institute is a vital regional, national, and international resource on Latin America. Since its founding in 1959, the LAI has equipped generations of leaders, professionals, and students with the information and skills required for understanding the vast and complex region of Latin America. The LAI supports research by funding grants and foreign-language instruction, and disseminates recent scholarship through conferences, workshops, public programs, teacher training, and publications.